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<title>Tucker Neel</title>
<link>http://tuckerneel.com/</link>
<description>Tucker Neel artwork, information, and contact information</description>
<language>en</language>
<copyright>Copyright 2008, Tucker Neel</copyright>
<lastBuildDate>Mon,  6 Oct 2008 12:31:03 -0400</lastBuildDate>

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<title>Bandage Memorials: Untitled (Lincoln Memorial Sculpture)</title>
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<title>Campaign Buttons: Bush Cheney 2000</title>
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<title>Campaign Buttons: Bush Quayle 92</title>
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<title>Campaign Buttons: Carter Mondale</title>
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<title>Campaign Buttons: Clinton Gore 1992</title>
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<title>Campaign Buttons: Dole Kemp 1996</title>
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<title>Campaign Buttons: Dukakis Bentsen</title>
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<title>Campaign Buttons: Gore Lieberman 2000</title>
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<title>Campaign Buttons: Johnson Humphrey</title>
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<title>Campaign Buttons: Kennedy</title>
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<title>Campaign Buttons: McCarthy</title>
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<title>Campaign Buttons: Mondale Ferraro</title>
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<title>Campaign Buttons: Nixon</title>
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<title>Campaign Buttons: Nixon Agnew</title>
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<title>Campaign Buttons: Reagan Bush 84</title>
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<title>Campaign Buttons: Roosevelt</title>
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<title>Campaign Buttons: Roosevelt Wallace</title>
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<title>Campaign Buttons: Roosevelt Wallace</title>
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<title>Campaign Buttons: Taft</title>
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<title>Campaign Buttons: Teddy Roosevelt</title>
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<title>Campaign Buttons: Teddy Roosevelt</title>
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<title>Imagine What Abraham Lincoln Looks Like&#x85;It&#x92;s Kinda Like That: Imagine What Abraham Lincoln Looks Like&#x85;It&#x92;s Kinda Like That,</title>
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<title>Pushing The Washington Monument: Pushing The Washington Monument</title>
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<title>Bandage Memorials: Untitled (Jefferson Memorial Sculpture)</title>
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<title>Bandage Memorials: Untitled (Washington Memorial Sculpture)</title>
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<title>Campaign: Candidate</title>
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<title>Campaign: Conventioneers</title>
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<title>Campaign: Hugging A Delusion</title>
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<title>Campaign: Peace / Victory</title>
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<title>Incomplete Washington Monument: Incomplete Washington Monument</title>
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<title>Monument Combinations: Statue of Liberty over The Grand Canyon</title>
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<title>Monument Combinations: USS Dwight D. Eisenhower over The Northwestern Hawaiian Islands Marine National Monument</title>
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<title>The Tallest Buildings In The World: The Tallest Buildings In The World</title>
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<title>Log Cabin: Untitled (Log Cabin)</title>
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<title>Party Animals: Party Animals</title>
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<title>News: Tucker Neel: Monuments to the Pres(id)ent</title>
<description>&#x3C;p class=&#x22;news-added&#x22;&#x3E;October 3 - November 8, 2008&#x3C;/p&#x3E;
     &#x3C;p&#x3E;Opening Reception: Friday October 3, 2008 6-9PM&#x3C;/p&#x3E;

&#x3C;p&#x3E;&#x3C;a href=&#x22;http://www.snowgallery.net/contact.html&#x22;&#x3E;Snow Gallery&#x3C;/a&#x3E;&#x3C;br /&#x3E;
1517 Dallas Avenue&#x3C;br /&#x3E;
Nashville, TN 37204&#x3C;/p&#x3E;

&#x3C;p&#x3E;615.386.9485&#x3C;/p&#x3E;

&#x3C;p&#x3E;info@snowgallery.net&#x3C;/p&#x3E;

&#x3C;p&#x3E;In a nod to the political season, Snow Gallery is pleased to present Monuments to the Pres(id)ent, an exhibition of new work by Los Angeles-based artist Tucker Neel. The exhibition runs from Friday, October 3, 2008 &#x26;#8211; November 8, 2008 with an opening reception on Friday, October 3, 2008, from 6:00 to 9:00 p.m.   &#x3C;br /&#x3E;
	  	&#x3C;br /&#x3E;
As an artist concerned with the how memory and memorialization influence subjective and national identity, Neel reflects on the current political landscape with new work questioning notions of presidential leadership, choice, allegiance, ideology, and, specifically, the iconography associated with political debate and electioneering.&#x3C;br /&#x3E;
 &#x3C;br /&#x3E;
This show grew out of the artist&#x26;#39;s interest in tying together the works of William Hogarth (1697-1764) and Giovanni Battista Piranesi (1720-1778), two artists whose prints he curated from the gallery&#x26;#39;s extensive collection. Neel created work in dialog with these artists&#x26;#39; enduring prints, tying an intentionally tenuous thread between Hogarth&#x26;#39;s political caricature&#x26;#39;s and Piranesi&#x26;#39;s imagined monuments.&#x3C;br /&#x3E;
 &#x3C;br /&#x3E;
Taking these works as a jumping off point, Neel created multiple drawings, prints, and installations, incorporating detailed images of bandaged politicos, reworked campaign buttons, replicated political cartoons, moved national monuments and frustrating flower arrangements. With each of his new works Neel investigates the sometimes-overlooked formal qualities of politicized objects and images that influence national debate and shape our collective identity.&#x3C;/p&#x3E;

&#x3C;p&#x3E;In coordination with this exhibit Neel will be the first artist-in-residence at the James E. Walker Library at Middle Tennessee State University. Working with faculty and students, he will create a limited edition print on The Stones River Press&#x26;#8217; replica of an 18th century printing press. Neel will also present a lecture on his work to students and faculty at the University (date and time yet to be determined). &#x3C;br /&#x3E;
 &#x3C;br /&#x3E;
This exhibition is purposefully situated in a very specific political and social context, occurring in the heart of the 2008 Presidential election. With one of the presidential debates just around the corner from the gallery, this exhibition creates a complimentary, open-ended forum, a place to reflect not just on the current political climate, but on how our present-day actions and beliefs are tied up in objects, images, and memories from the past.&#x3C;/p&#x3E;

&#x3C;p&#x3E;For more information about Tucker Neel and to view his projects visit tuckerneel.com&#x3C;/p&#x3E;

&#x3C;p&#x3E;Snow Gallery offers a unique mix of historical and contemporary art juxtaposed to bridge eras and cultures. Rotating current exhibits complement an outstanding collection of rare prints, textiles, and other arts and crafts from around the world.&#x3C;/p&#x3E;

&#x3C;p&#x3E;To receive print quality images or answers to questions please contact the gallery.&#x3C;/p&#x3E;</description>
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<title>Press: THE TENNESSEAN-&#x22;Tucker Neel explores how political iconography shapes our individual and collective identities.&#x22; Sept. 29,</title>
<description>&#x3C;p class=&#x22;press-added&#x22;&#x3E;2008&#x3C;/p&#x3E;
      &#x3C;p&#x3E;For his new show, Monuments to the Pres(id)ent, Los Angeles artist Tucker Neel curated an assortment of 18th-century prints from the collection of Snow Gallery and then responded to them with works of his own. Fascinated with how memory and memorabilia shape individual and collective consciousness, Neel used things such as political cartoons and images of national monuments to create drawings, prints and installations. The works provide commentary on how political iconography shapes our sense of who we are and what matters to us.&#x3C;/p&#x3E;

&#x3C;p&#x3E;Along with his solo exhibition at Snow Gallery, which opens with a reception from 6 to 9 p.m. on Friday, Neel will be the first artist-in-residence at the James E. Walker Library at Middle Tennessee State University this fall. Collaborating with faculty and students, he will create a limited edition print on the replica of an 18th-century printing press at The Stones River Press.&#x3C;br /&#x3E;
Advertisement&#x3C;/p&#x3E;

&#x3C;p&#x3E;My art practice investigates the memorializing impulses underpinning personal and national attempts to solidify both individual and collective memory in a material form. My work attempts to ask what makes events, people and ideas memorable and unchanging. I utilize project-specific media, primarily drawing, sculpture, video, installation and the Internet, to highlight and transform the unrecognized, overlooked and spontaneous traces of memory left behind by human experience. I am fascinated by the rehearsed texts, hidden objects, lapses in judgment, jumbled narratives and creases in history that implore us to remember, and allow us to forget, how we got to the present time in the first place.&#x3C;/p&#x3E;

&#x3C;p&#x3E;For this exhibition, I was invited by Snow Gallery to curate a selection of prints from their extensive collection and then make work in response to these choices. After much consideration, I selected two distinct groups of work by seemingly disparate artists, William Hogarth (1697-1764) and Giovanni Battista Piranesi (1720-1778).&#x3C;/p&#x3E;

&#x3C;p&#x3E;I became fascinated with Hogarth&#x26;#39;s An Election Entertainment series, a fantastic suite of etchings lambasting the corruption of politicians and the gullibility of a voting populace. These works are bubbling over with ludicrously debauched figures imbibing, politicking and cavorting in extreme, almost inconceivable situations. They are not picture-perfect renditions, but some of the first examples of political cartoons. And like all political cartoons, they stem from an unabashed desire to subjectively depict the politics of the present &#x26;#8212; in this case, Hogarth&#x26;#39;s present.&#x3C;/p&#x3E;

&#x3C;p&#x3E;After researching Piranesi&#x26;#39;s practice, I discovered that his astoundingly detailed renderings of crumbling Roman architecture were often faked, that the vistas in his pictures were collages of different sites, crammed together in pleasing, yet impossible, pairings. During the 18th century, his work provided wealthy European tourists the most popular vision of the Roman Empire, a time revered by travelers immersed in their own colonial and imperial ambitions. It struck me that Piranesi&#x26;#39;s monuments derive sentimental and political import from a place that, like in Hogarth&#x26;#39;s work, is imagined and cobbled together from subjective interpretations.&#x3C;/p&#x3E;

&#x3C;p&#x3E;Creating work inspired by these great printmakers gave me license to play with my own imagined take on the present political environment, reassemble the accoutrements perennially associated with political campaigns and the office of the presidency.&#x3C;/p&#x3E;

&#x3C;p&#x3E;While the individual works . . . are admittedly heterogeneous in both form and content, they each evince an imagined, fantastical or subjective take on questions of party ideology, allegiance, leadership and historical uncertainty. Sometimes subjects overlap, sometimes they don&#x26;#39;t. Some work calls attention to an impossible situation contextualized by a political reality. Others mine the easily understood lexicon of nationalist memorials and monuments, reworking these objects&#x26;#39; implied meanings. Select works also explore the nightmare/fantasy oscillation that accompanies campaigning for/against candidates and the anticipation and anxiety about the future attendant to this devotion.&#x3C;/p&#x3E;

&#x3C;p&#x3E;This exhibition doesn&#x26;#39;t attempt to make a statement for or against a particular candidate or party, but instead provides a springboard for a dispersed conversation about how we hope and fear, remember and forget, discuss and remain silent, come together and alienate ourselves as participants, both willing and unwilling, in a politically charged environment that is fragile, that makes up and re-imagines its history as it goes along.&#x3C;/p&#x3E;

&#x3C;p&#x3E;&#x26;#8212; &#x3C;span class=&#x22;caps&#x22;&#x3E;INTERVIEW&#x3C;/span&#x3E; BY &#x3C;span class=&#x22;caps&#x22;&#x3E;BILL FRISKICS&#x3C;/span&#x3E;-WARREN, &#x3C;span class=&#x22;caps&#x22;&#x3E;STAFF WRITER&#x3C;/span&#x3E;&#x3C;/p&#x3E;</description>
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<title>Press: LOS ANGELES LOYOLAN - &#x22;Take a look-see at Looky See,&#x22; Sept. 11, 2008</title>
<description>&#x3C;p class=&#x22;press-added&#x22;&#x3E;2008&#x3C;/p&#x3E;
      &#x3C;p&#x3E;Madeline Harmon&#x3C;br /&#x3E;
Issue date: 9/11/08 Section: Entertainment&#x3C;/p&#x3E;

&#x3C;p&#x3E;For those of you looking to really squeeze those last few drops out of summer, head over to the Ben Maltz Gallery on the campus of Otis College of Art and Design for the last weekend of their summer exhibition entitled &#x22;Looky See: A Summer Show.&#x22; &#x22;Looky See&#x22; features both representational and abstract work by twenty-nine dynamic artists. Many of these artists are from Los Angeles who have captured their ideas using everything from intricately cut paper-threaded together, to ornately arranged beads imbedded in a large foam sculpture. Aside from the two breathtaking installations featured in the main room, a few pieces definitely worth waking up early on Saturday for are the vibrant watercolor and acrylic paintings &#x22;Potentilla Multijuga&#x22; and &#x22;Romulea Sulphrea&#x22; by the talented Penelope Gottlieb. These two vivid images offer a different perspective with every new glance. Otis alum Tucker Neel presents a comical outlook on art, government structures, and life in general to those who lack a refined artistic eye. Neel&#x26;#39;s set of quirky ink drawings on notebook paper peek into his fascinating mind and even provide whimsical phrases to reflect on, such as, &#x22;If you are going to have children train them to become lucid dreamers.&#x22; On the whole, &#x22;Looky See&#x22; is an enjoyable collection of assorted artworks for everyone&#x26;#39;s taste. The show is free of charge and the closing reception will take place on Saturday, Sept. 13 from 3 to 5 p.m.&#x3C;/p&#x3E;</description>
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